Things are hotting up in the LandWorks Art Department, thanks to a new electric kiln which has just reached 1240 degrees C! Pots, tiles, and necklace pendants all hand-made by people on placement here at LandWorks have made it through the first firings unscathed, with some beautiful if sometimes unexpected outcomes.
You can find the latest pots for sale on the LandWorks’ Market Garden Stall, located on the Dartington Hall Estate, Devon, alongside hedgehogs – all of which make ideal Christmas gifts.
This is made possible thanks to:
After the success of the LandWorks Timeline, Arts Council England have awarded another grant to cover a year of arts activities at LandWorks – the overall aim of the next year is to create works which represent ‘how to overcome feeling trapped’.
At the same time the PeN Project (in which trainees take pictures of their activities during the day, before talking it through with Lead Researcher Dr Julie Parsons and posting on the PeN Project blog) has really taken off and is giving LandWorks supporters a great insight into what happens here.
Over 10 months, 41 people helped create the LandWorks TimeLine, including: LandWorks trainees, Plymouth University art students and staff, volunteers, LandWorks staff and visitors.
“I have gained a feeling of self-worth again and believe that the future holds great things for me”
“It will be a landmark for LandWorks – it’s an impressive structure”
“Big experience day, well enjoyed and many more to come. Taken pride of what I’ve done today – it’s amazing!”
“[It’s given me] a time to think, a time to laugh, and a sense of achievement”
– LandWorks trainees
100% of participants felt they’d made connections with new people through being involved with the art project
100% felt the local community would be brought closer to LandWorks as a result of the structure
100% were introduced to a new craft or skill
75% thought their involvement with the project allowed them to talk about and/or reflect on their situation
100% said their involvement with the project had allowed them to talk about and/or reflect on the publics perception of people in prison
“90% of LandWorks trainees have gone onto employment, and although there’s no concrete evidence to say this down to art, every one of them has engaged with Sarah and this project in some way”
– Chris Parsons, LandWorks Manager